Bibliography

Monographs

Landesgalerie Linz, ed. Julian Rosefeldt. Deep Gold. Exh. cat. Landesgalerie Linz, Linz. Berlin, 2016.

Gebbers, Anna-Catharina, et al., eds. Julian Rosefeldt: Manifesto. Exh. cat. Australian Centre for the Moving Image (ACMI), Melbourne; Hamburger Bahnhof – Museum für Gegenwart, Berlin; Art Gallery of New South Wales, Sydney; Sprengel Museum, Hannover. London, 2015.

Yen-In Chen, Mei-ching Fang, eds. Julian Rosefeldt: World-Making. Film and Photo Works 2001–2011. Exh. cat.
Taipei Fine Arts Museum. Taipei, 2012.

Berlinische Galerie, ed. Julian Rosefeldt. Living in Oblivion. Exh. cat. Berlinische Galerie, Berlin. Bielefeld, 2010.

Berg, Stephan, et al., eds. Julian Rosefeldt. American Night. Exh. cat. EX3 Centro per l’Arte Contemporanea, Florence; Kunstmuseum Bonn. Berlin, 2009.

Berg, Stephan, et al., eds. Julian Rosefeldt: Film Works. Ostfildern, 2008.

BALTIC Centre for Contemporary Art, Gateshead, ed. Julian Rosefeldt: asylum. Exh. cat. Festival d’Avignon et al. Ostfildern, 2004.

Rosefeldt, Julian, ed. Julian Rosefeldt: Global Soap. Exh. cat. Künstlerhaus Bethanien. Berlin, 2001.

News: Eine Videoinstallation von Julian Rosefeldt und Piero Steinle. Exh. cat. Kunstsammlung Nordrhein-Westfalen, Dusseldorf. Heidelberg, 1998.

Rosefeldt, Julian and Steinle, Piero, eds. Paris – Les Cathédrales Inconnues – Espaces vides dans l’ombre de la ville.
Exh. cat. Espace des Blancs Manteaux. Paris, 1997.

Rosefeldt, Julian and Steinle, Piero, eds. Detonation Deutschland Sprengbilder einer Nation. Exh. cat. Orangerie. Munich, 1996.

Rosefeldt, Julian and Steinle, Piero, eds. Bürokratie und Kult. Munich / Berlin, 1995.

 

Selected Books, Catalogues and Essays

Schuppli, Madeleine, ed. Cinéma mon amour. Kino in der Kunst, Exh. cat. Aargauer Kunsthaus, Aarau. Zurich. 2017.

Beil, Ralf, ed. Wolfsburg Unlimited. Eine Stadt als Weltlabor, Exh. cat. Kunstmuseum Wolfsburg, Wolfsburg. Berlin 2016.

Radinieki, Gara. Elective Affinities. German Art since the Late 1960s, Exh. cat. Latvian National Museum of Art, Riga. Bielefeldt / New York 2016.

Dogramaci, Burcu. Heimat. Eine künstlerische Spurensuche, Cologne / Weimar / Vienna, 2016.

Fischer, Peter / Bürgi, Brigitt, eds. About Trees, Exh. cat. Zentrum Paul Klee, Bern. Cologne 2015.

Berg, Stephan / Daniels, Dieter. TeleGen. Art and Television, Exh. cat. Kunstmuseum Bonn, Bonn / Kunstmuseum Liechtenstein, Vaduz, Munich 2015.

Finger, Susanne, et. al., Et in Arcadia Ego – Weltchaos und Idylle, Exh. cat. Museum Kurhaus Kleve, Kleve 2015.

Segelken, Barbara, ed. The Art of Preservation. Exh. cat. Draiflessen Collection. Mettingen, 2015. 

Bosold, Birgit, et. al., eds. Homosexualität_en, Exh. cat. Deutsches Historisches Museum and Schwules Museum, Berlin. Dresden 2015.

Baker, Simon. Conflict, Time, Photography. Exh. cat. Tate Modern. London, 2014.

Beil, Ralf, et. al., eds. The Scorpions Sting. Exh. cat. Mathildenhöhe, Darmstadt. Ostfildern, 2014. 

Stamm, Lars. “Julian Rosefeldt.” fast forward 2. The Power of Motion. Edited by Ingvild Goetz and Stephan Urbaschek. Exh. cat. ZKM Museum für Neue Kunst Karlsruhe. Ostfildern, 2010, pp. 190–197.

Ellegood, Anne. “Character Driven: Subjectivity and the Cinematic.” The Cinema Effect: Illusion, Reality and the Moving Image. Part II: Realisms. Exh. cat. Hirshhorn Museum and Sculpture Garden, The Smithsonian Institution. Washington DC, 2008, pp. 112–139.

Rush, Michael. Video Art. Revised edition. London, 2007.

MUSAC/ACTAR, ed. MUSAC Collection Volume II. Castilla & León, 2007.

Athens Biennal, ed. Destroy Athens. Exh. cat. Technopolis Art Complex. Athens, 2007.

Bonami, Francesco, ed. Silence: Listen to the Show. Exh. cat. Fondazione Sandretto Re Rebaudengo, Turin. Milan, 2007.

Boellert, Arvid, ed. XIV. Rohkunstbau: Drei Farben – Weiss. Exh. cat. Schloss Sacrow, Potsdam. Berlin, 2007.

Made in Germany – Aktuelle Kunst aus Deutschland. Edited by the Kestnergesellschaft, the Kunstverein Hannover
and the Sprengel Museum, Hannover. Exh. cat. Ostfildern, 2007.

Spindler, Gabriele, ed. Scheitern. Exh. cat. Landesgalerie Linz am Oberösterreichischen Landesmuseum. Linz, 2007.

Grabowicz, Karolina, ed. Manipulations: On Economies of Deceit. Exh. cat. Laznia Centre for Contemporary Art, Gdansk; Centre for Contemporary Art, Ujazdowski Castle, Warsaw. Gdansk, 2007.

Gisbourne, Mark. Kunststation Berlin. Munich, 2006. (English edition: Berlin Art Now. New York, 2006.)

Bustamante, Jean-Marc, ed. Printemps de septembre à Toulouse. Vol. 3 – Lignes brisées / Broken lines. Exh. cat. Printemps de septembre. Toulouse, 2006.

Spieler, Reinhard. “Mathilda: Eine europäisch-indische Co-Produktion.” Mathilda is calling oder Erinnerung als Zukunft. Edited by Ralf Beil. Exh. cat. Institut Mathildenhöhe, Darmstadt. Ostfildern, 2006, pp. 98–111.

De la Motte-Haber, Helga, et al., eds. Sonambiente Berlin 2006: klang kunst sound art. Exh. cat. Akademie der Künste, Berlin. Heidelberg, 2006.

Decter, Joshua, ed. Dark Places. Exh. cat. Santa Monica Museum of Art. Santa Monica, 2006.

Panera, Javier, ed. Baroque and Neo-Baroque: The Hell of the Beautiful. Exh. cat. DA2 – Domus Artium. Salamanca, 2005.

Falch, Frank and Høyesten, Erlend, eds. Andre = Others. Exh. cat. Sørlandets Kunstmuseum. Kristiansand, 2005.

Ockman, Joan and Frausto, Salomon, eds. Architourism Authentic Escapist Exotic Spectacular. New York, 2005.

Hug Alfons, ed. 26a Bienal de São Paulo. 3 volumes. Exh. cat. Fundação Bienal de São Paulo. São Paulo, 2004.

Von Habsburg, Francesca, et al., eds. ein-leuchten. Exh. cat. Museum der Moderne Rupertinum. Salzburg, 2004.

O.K Centrum für Gegenwartskunst, ed. Re:Location 1–7. Shake. Exh. cat. Casino Luxembourg – Forum d’art contemporain, et al. Bozen, 2004.

Rainbird, Sead, ed. Max Beckmann: Un peintre dans l’histoire, Exh. cat. Centre National d’Art et de Culture Georges Pompidou, Paris, et. al. New York, 2003.

Levitte Harten, Doreet, ed. Melodrama. Exh. cat. Artium, Centro-Museo Vasco de Arte Contemporáneo, Vitoria, et al. Granada, 2002.

Tele[visions] – Kunst sieht fern. Exh. cat. Kunsthalle Wien. Vienna, 2001/2002.

Schürmann, Wilhelm, ed. Wohin kein Auge reicht – More than meets the eye. Exh. cat. Deichtorhallen. Hamburg, 1999.

Winzen, Matthias. “Detonation Deutschland.” Deep Storage – Arsenale der Erinnerung. Edited by Ingrid Schaffner and Matthias Winzen. Exh. cat. Haus der Kunst. Munich, 1998, pp. 259–261.

Neumaier, Otto. “Vom Schwinden der Welt.” Deep Storage – Arsenale der Erinnerung. Edited by Ingrid Schaffner and Matthias Winzen. Exh. cat. Haus der Kunst. Munich, 1998, pp. 124–128.

Hoffmann, Justin. “Die Angst vor dem Verschwinden.” Deep Storage – Arsenale der Erinnerung. Edited by Ingrid Schaffner and Matthias Winzen. Exh. cat. Haus der Kunst. Munich, 1998, pp. 269–272.

 

Selected Articles and Reviews  

Ruthe, Ingeborg. “Im wüsten Land.” Berliner Zeitung. June 30, 2017.

Hörhager, Felix. “Julian Rosefeldts Videokunst mit Cate Blanchett.” Bayerischer Rundfunk. February 16, 2017. >>

Betz, Thomas. “Julian Rosefeldt: Fegefeuer der Moderne.” Münchner Feuilleton. February 14, 2017. >>

Grundhuber, Lena. “Lehrstücke fürs Lautwerden.” Artline. February 5, 2017. >>

Dry, Jude. “Cate Blanchett In 'Manifesto': Julian Rosefeldt’s Stunning Film Installation is a Masterclass in Performance — Review.” IndieWire. January 16, 2017. >>

Pulver, Andrew. “Cate Blanchett has strong words in the first Manifesto trailer.” The Guardian. January 13, 2017. >>

Astle, Randy. “Four Lessons for Filmmakers from Julian Rosefeldt's Manifesto.” Filmmaker Magazine Online. January 12, 2017. >>

Yerebakan, O.C. “New York – Julian Rosefeldt: 'Manifesto' at Park Avenue Armory through January 8th, 2017.” Artobserved. January 6, 2017. >>

Colucci, Emily. “Cate Blanchett is possessed by 20th century artists in Julian Rosefeldt's 'Manifesto'.” Artfcity. January 5, 2017. >>

Randall, Virginia. “Beyond Museum Mile.” NYPress. January 4, 2017. >>

Batkin, Liza. “Art That Won't Stop Talking.” The New York Review of Books. January 4, 2017. >>

Munoz-Alonso, Lorena / Perlson, Hili. “See Our Top 20 Exhibitions in Europe in 2016.” Artnet. December 23, 2016. >>

Dry, Jude. “Cate Blanchett in 'Manifesto': Julian Rosefeldt's stunning film installation is a masterclass in performance.” Indiewire. December 15, 2016. >>

Smith, Roberta. “12 Faces of Cate Blanchett: A Chameleon in the Armory.” The New York Times. December 15, 2016. >>

Pogrebin, Robin. “The Many Faces of Cate.” The New York Times. October 30, 2016, p. 36.

Schuh, Hannah. “Freiraum.” art – Das Kunstmagazin. September 2016, pp. 18–36.

Molina, Ángela. “En busca de la flor azul.” El Pais Babelia. August 24, 2016, p. 69. >>

“Cate Blanchett und die Suprematisten.” Die Rheinische Kulturraumverdichtung. August 13, 2016. >>

May, Fabian. “Ströme und Manifeste bei der Ruhrtriennale.” Westdeutsche Zeitung. August 12, 2016. >>

Stiftel, Ralf. “Julian Rosefeldts MANIFESTO bei der Ruhrtriennale.” WA. August 8, 2016. >>

Cascone, Sarah. “See Cate Blanchett Play 13 Roles at the Park Avenue Armory.” Artnet. July 28, 2016. >>

Nedo, Kito. “Beulen und Schrammen. Die Autostadt wird zum Gegenstand der Kunst.” art – Das Kunstmagazin. July 2016, p. 114.

Berg, Ronald. “Wolfsburg Unlimited. Eine Stadt als Weltlabor.” Kunstforum International. June-July, 2016, pp. 242–244. >>

Hinrichsen, Jens. “Was ist deutsche Kunst?” Monopol. June 20, 2016. >>

Sticht, Christina. “Cate Blanchett in Hannover.” art – Das Kunstmagazin Online. June 6, 2016. >>

Schacht, Daniel Alexander. “Vom Staub der Kunstgeschichte befreit.” Hannoversche Allgemeine Zeitung. June 5, 2016. >>

Schacht, Daniel Alexander. “Manifest mit Glamoureffekt.” Hannoversche Allgemeine Zeitung. June 4, 2016. >>

“Manifesto: Cate Blanchett im Sprengel Museum.” NDR. June 2, 2016. >>

“Tillmanns und Rosefeldt im Sprengel Museum in Hannover.” Focus online. June 1, 2016. >>

Eme, Thomas. “Künstler des Monats: Julian Rosefeldt. Manifesto.” Evangelischer Kirchbautag und Institut für Kirchenbau und kirchliche Kunst der Gegenwart. June 2016. >>

Kleilein, Doris. “Julian Rosefeldt: Manifesto.” Bauwelt. May 27, 2016, pp. 32–33. >>

Tutton, Sarah / Paton, Justin. “Manifesto.” Look. May 2016, pp. 22-27. >>

Reichelt, Matthias. “Julian Rosefeldt.” Kunstforum International. April - May, 2016, pp. 208-210. >>

Siemes, Christof. “Vorsicht, krumme Dinger!” Die Zeit. April 28, 2016, p. 55. >>

Kuhn, Nicola. “Maikäfer flieg. 'Wolfsburg Unlimited'.” Der Tagesspiegel. April 27, 2016, p. 19. >>

Luecken, Verena. “Vom Auerochsen zum organisierten Verbrechen.” Frankfurter Allgemeine Sonntagszeitung. April 16, 2016, p. 9. >>

Ackermann, Tim. “Zurück in die Zukunft.” Weltkunst, Special Edition. Spring 2016, pp. 4–9.

Knöfel, Ulrike. “Die Werkstadt.” Der Spiegel. April 23, 2016, pp. 126–127.

Lacher, Elisabeth. “Lust is a Force.” Die Referentin. March 1, 2016. >>

Kilb, Andreas / Körte, Peter. “Die Fastenzeit des Kinos.” Frankfurter Allgemeine Sonntagszeitung. February 16, 2016. >>

Kilb, Andreas Kilb. “Echte Kunst muss gebraucht werden.” Frankfurter Allgemeine Zeitung. February 12, 2016, p. 11.

Silbermann, Charlotte. “Solo Cate.” Der Freitag. February 11, 2016, p. 14.

Weickmann, Dorion. “Das Dutzendgesicht.” Süddeutsche Zeitung. February 11, 2016, p. 9. >>

Berner, Irmgard. “ManiFest. Im Hamburger Bahnhof eröffnet die kongeniale Videoinstallation 'Manifesto' von Julian Rosefeldt – mit Cate Blanchett.” Berliner Zeitung. February 11, 2016, p. 1.

Padtberg-Kruse, Carola. “Kurzfilm-Installation: Die 13 Gesichter der Cate Blanchett.” Spiegel Online. February 10, 2016. >>

Wiegand, Barbara. “Cate Blanchett als Penner auf dem Teufelsberg.” RBB Kultur. February 10, 2016. >>

Reber, Simone. “Film-Installation mal dreizehn.” SWR.de Kultur Info. February 09, 2016. >>

Weber, Simone. “Wenn ein Filmstar Künstler-Manifeste verkörpert.” Deutschlandradio Kultur. February 9, 2016. >>

Meixner, Christiane. “Voll auf die Zwölf.” Der Tagesspiegel. February 9, 2016. >>

Allen, Christopher. “Caught off Garde.” The Australian. February 6-7, 2016, pp. 12-13. >>

Meixner, Christiane. “Verwandlungskünstler.” Zitty. February 4, 2016, pp. 40-41.

Schwerfel, Heinz Peter. “Hollywood trifft Avantgarde.” art – Das Kunstmagazin. February 2016, p. 103. >>

Moroz, Sarah. “Critics' picks: Julian Rosefeldt.” artforum. February 2016. >>

Queren, Henning. “Das Sprengel-Superjahr 2016.” Neue Presse. January 9, 2016, p. 7.

Howard, Jane. “Manifesto Review (ACMI Melbourne then AGNSW Sydney).” Daily Review. December 11, 2015. >>

Cooke, Dewi. “Cate Blanchett performs as 12 characters in Julian Rosefeldt's Manifesto as ACMI.” The Sydney Morning Herald. December 9, 2015. >>

Calafiore, Siobhan. “Cate Blanchett stars in artist Julian Rosefeldt’s Manifesto at ACMI.” The Weekly Review. December 8, 2015. >>

Fehily, Toby. “Julian Rosefeldt's Manifesto review – 13 Cate Blanchetts in search of a meaning.” The Guardian. December 8, 2015. >>

Moshammer, Mariella. “Was macht Amerika mit uns?” Neues Volksblatt. November 12, 2015.

HW. “Hinter den Kulissen der Filmgeschichte.” Oberösterreichische Nachrichten. November 12, 2015.

Stief, Angela. “Porträt des Künstler. Julian Rosefeldt.” Muse – Das Magazin des OÖ. Landesmuseums. October 22, 2015, p. 13. 

Jakumeit, Adele. “Die Zivilisation ist der Sündenfall.” Frankfurter Allgemeine Zeitung. September 1, 2015, p. 13.

“Geschichte und Kultur homosexueller Identität_en.” interVIEW. August 30, 2015. >>

Döring, Ralf. “Ruhrtriennale 2015: Schrieb Joseph Haydn Filmmusik?” Neue Osnabrücker Zeitung. August 28, 2015. >>

Briegleb, Till. “Träume der Aufklärung.” Ruhrtriennale. Festival der Künste, Programme. August 2015, p. 23.

Liebs, Holger. “Schöne neue Kunstwelt.” Monopol. March 2015, pp. 84–107. (Interview with Cate Blanchett and Julian Rosefeldt; artist portfolio)

Barnes, Freire. “Conflict, Time, Photography.” Time Out London. December 2, 2014, p. 96.

Januszczak, Waldemar. “The Pity of War Distilled.” The Sunday Times. November 30, 2014, p. 19.

Cumming, Laura. “After the War was Over.” The Observer. November 30, 2014, p. 20.

Hodgson, Francis. “Shooting Wars.” The Financial Times. November 29, 2014, p 14.

Campbell-Johnston, Rachel. “War - This Is What It's Good For.” The Times. November 28, 2014, p. 12.

Sooke, Alastair. “Haunting and Poetic Images of War.” The Daily Telegraph. November 26, 2014.

Wright, Karen. “A View to Kill.” The Independence. November 25, 2014, pp. 36-37.

Ackermann, Tim / Storfner, Laura. “Träumt weiter!” Weltkunst, Nr. 90. August 2014, pp. 70–75. (Interview with Julian Rosefeldt, Tobias Zielony and M+M)

Hohmann, Angela. “In den Tiefen des deutschen Waldes.” Berliner Morgenpost. August 8, 2014. >>

MJ. “Was kann der Wald denn dafür, dass er so schön ist.” Die Tageszeitung. July 17, 2014. >>

Karich, Swantje. “Angriff auf unsere Ordnung.” Frankfurter Allgemeine Zeitung. July 16, 2014, p. 12. >>

Kaczor, Eva. “Julian Rosefeldt bei Arndt Berlin: Ist unsere Heimat ein düsteres wolkenverhangenes Land?” Art Berlin. July 2014. >>

Meixner, Christiane. “Zeitreise mit Luis Buñuel. Zuckende Geister.” Der Tagesspiegel. May 5, 2014. >>

Pofalla, Boris. “Ah, diese Galerieluft!” Frankfurter Allgemeine Zeitung. April 19, 2014. >>

Hinrichsen, Jens. “Kunst, wo ist dein Stachel?” Monopol. March 26, 2014. >>

EVR. “Reiter und Cowboys im Museum.” Kronen Zeitung. January 4, 2014.

Gockel, Cornelia. “Man kann den Heimatbegriff auch selbstkritisch sehen.” Kunstforum International 220.
March–April 2013, pp. 164–171. (Interview with Julian Rosefeldt)

“Bilder einer Ausstellung. Edition 46 Videokunst (The Opening).” Süddeutsche Zeitung Magazin. November 16, 2012,
pp. 12–13.

Mayerle, Astrid. “Ein Fettauge in der Suppe.” Monopol. November 2012, pp. 112–114. >>

Ollman, Leah. “Review: The Wild West with a twist.” Los Angeles Times. October 19, 2012.

“Amoklauf im Wald.” Zeitkunst. October 2012, p. 9. >>

Weskott, Hanne. “In der Endlosschleife.” Münchener Feuilleton. October 2012, p. 7. >>

De Righi, Roberta. “Julian Rosefeldt.” Kunst Bulletin. October 2012, p. 57. >>

Liere, Judith. “Unsterbliche Helden.” Süddeutsche Zeitung. September 20, 2012, p. R20. >>

“Julian Rosefeldt: American Night.” Artweek.LA. September 17, 2012. >>

Stoessel, Sonja. “Wave the flag.” Derzeit. July 4, 2012, pp. 19–21. >>

Meixner, Christiane. “Die Fremden und der Wald.” Der Tagesspiegel. October 11, 2011, p. B7.

Forbes, Alexander. “Julian Rosefeldt.” berlinartjournal. September 1, 2011, p. 19.

D’Acosta, Sema. “Going Inside, Defragmenting Film.” Artecontexto 1, 2011, pp. 102–103. >>

Utrera, Federico. “Yo soy el productor de mis obras.” La entrevista. December 19, 2010, p. 4.

Kholeif, Omar. “Julian Rosefeldt: American Night.” Art Monthly. November 2010, pp. 19–20.

Albarrán, Juan. “Desmontando el relato.” abc.es. October 30, 2010, pp. 12–13.

Von Zitzewitz, Jutta. “Jäger der verborgenen Räume.” Tip 12, 2010, p. 178. >>

Serwin, Skye. “Artist of the week 110: Julian Rosefeldt.” The Guardian. October 21, 2010. >>

Díaz-Guardiola, Javier. “Muestro el andamiaje de las emociones.” ABC – Cultural. October 16, 2010, pp. 26–27. >>

Blázquez, Rocío. “El Da2 acoge la mayor exposición europea de Julian Rosefeldt.” abc.es. October 9, 2010, p. 44. >>

Cadenas, Luis. “Explorafoto y el DA2. ‘Making of’, la retrospectiva de Julian Rosefeldt.” Reflejos. October 8, 2010,
pp. 2–3 (and cover).

Cuevas, Javier Panera. “Julian Rosefeldt / Making Of.” art.es 39-40, 2010, pp. 82–87.

Althen, Michael. “2010 – Odyssee im Kontrollraum: Julian Rosefeldts Videoinstallation The Shift.”
Frankfurter Allgemeine Zeitung. May 27, 2010, p. 33. >>

Pataczek, Anna. “Versteckte Räume. Die Berlinische Galerie zeigt Arbeiten des Videokünstlers Julian Rosefeldt.”
Der Tagesspiegel. May 16, 2010. >>

Timm, Tobias. “Nachts ist nie Schicht.” Die Zeit, May 12, 2010, p. 62. >>

Ruthe, Ingeborg. “Nachtwächter in der Endlosschleife.” Berliner Zeitung. May 10, 2010, p. 35.

Stellmacher, Moritz. “Julian Rosefeldt. Living In Oblivion.” Proud Magazine, May 2010, pp. 62–65.

Stamm, Lars. “Julian Rosefeldts American Night.” kritische berichte – Zeitschrift für Kunst- und Kulturwissenschaften 1, 2010, pp. 59–67. >>

Tieke, Kristina. “Julian Rosefeldt.” artist kunstmagazin 82. February–April 2010. pp. 22–27. >> (excerpt)

Braun, Alexander. “Julian Rosefeldt – American Night. Filminstallationen 2004–2009. Kunstmuseum Bonn.” Kunstforum International 200. January–February 2010, pp. 284–285. >>

Lueken, Verena. “Wo Frauen auf einsame Reiter warten.” Frankfurter Allgemeine Zeitung. December 3, 2009, p. 37. >>

Jodidio, Philip. “Julian Rosefeldt.” Lapiz 258. December 2009, pp. 94–95.

Kliemann, Thomas. “High Noon am Rhein.” General-Anzeiger. November 11, 2009, p. 11.

Ruthe, Ingeborg. “Das verfassungsmäßige Recht auf meine Knarre.” Berliner Zeitung. May 13, 2009, p. 24.

Schwerfel, Heinz Peter. “Rosefeldts wunderbare Welt des Scheiterns.” art – das Kunstmagazin. February 2009,
pp. 28–35. >>

Wolff, Rachel. “We talk to the production team that built an exact replica of the Guggenheim in Gemany - all for the purpose of wrecking it in the new banking thriller, The International.” Artnews.com Shooting Gallery. January 2, 2009. >>

Tilmann, Christina. “Das magische Auge.” Der Tagesspiegel. August 2, 2008, p. 20. >>

Gopnik, Blake. “Take Time to Rewind at the Hirshhorn’s Realisms. Nothing Is Static About These Moving Pictures.” Washington Post. June 21, 2008, p. C01. >>

Díaz-Guardiola, Javier. “J. Rosefeldt: Persigo el lado cómico del existencialismo.” ABC – Las Artes y las Letras. April 5–11, 2008, pp. 32–35.

Smith, Roberta. “Loud Crashes, Dignified Stereotypes and a Touch of Wagner.” The New York Times. January 26, 2008,
p. B7. >>

Zeitz, Lisa. “Hypnotische Wanderung über dem Nebelmeer.” Frankfurter Allgemeine Sonntagszeitung. January 20, 2008, p. 55.

Williams, Eliza. “Julian Rosefeldt.” flashart 252. January / February 2007, pp. 119–120.

O’Reilly, Sally. “Reviews: Julian Rosefeldt.” ArtReview. December 2006, p.142.

Behamou-Huet, Judith. “Tendances Marche de l’art.” Le Point. October 12, 2006, p. 124.

Cox, Christoph. “Reverb Time.” artforum. September 2006, pp. 89–90.

Cook, Xerxes. “The Talk of the Clown.” Tank Magazine 7, Nr. 4. 2006, p. 41.

Hierholzer, Michael. “Vom Mut, das Neue frisch zu wagen.” Frankfurter Allgemeine Zeitung. July 14, 2006.
(editorial supplement)

Franke, Anselm. “Julian Rosefeldt: Trilogy of Failure.” Next Level Magazine 9. Summer 2006, pp. 114–123.

“100 Future Greats.” Art Review IX. December 2005, p. 70.

Thorp, David. “Julian Rosefeldt.” Special issue on video, Contemporary 71. April 2005, pp. 103–105.

O’Reilly, Sally. “Julian Rosefeldt – Kunstwerke, Berlin, Germany.” frieze 87. November / December 2004, pp. 122–123. >>

Manacorda, Francesco. “Julian Rosefeldt.” flashart 238. November 2004, p. 84.

Williams, Eliza. “Julian Rosefeldt.” Art Review 10. October 2004, p. 123.

Herbert, Martin. “Julian Rosefeldt.” Time-Out London. September 1–8, 2004, p. 52.

Ilya, Patricia and Gridneff, Reed. “Who’s Depending On Who and All These Strange Things.” Neue Review. July 2004.

Gregos, Katerina. “Julian Rosefeldt: Asylum.” Contemporary. December 2002, p. 94.

Wetzel, Johannes. “Wider das Klischee vom Berserker.” Berliner Zeitung. October 12, 2002. >>

Clewing, Ulrich. “Rosen aus Indien.” Der Tagesspiegel. October 11, 2002, p. 26.

Stremmel, Kerstin. “Wiederkehr des Verdrängten.” Neue Züricher Zeitung. February 20, 2002, p. 61.

Jandl, Paul. “Detonation Deutschland.” Neue Züricher Zeitung. August 13, 2001, p. 24.

Rapp, David. “Bubbling and Squeaking.” Herald Tribune International – Ha’aretz Week’s End. March 2, 2001.

Werber, Niels. “Zweierlei Aufmerksamkeit in Medien, Kunst und Politik.” Kunstforum International 148. January 2000, pp. 139–151.

Neumaier, Otto. “Von deutscher Seele.” noema 51. May / June 1999, pp. 76–79.

Smith, Roberta. “Seeking the Innate Order or Chaos.” The New York Times Art Review. July 31, 1998.

Attias, Laurie. “Forgotten Paris.” Metropolis. February / March 1998, pp. 74–75.

Attias, Laurie. “Julian Rosefeldt and Piero Steinle.” Frieze. January 1998, p. 91.

Wiegand, Wilfried. “Das Schweigen des Grand Palais.” Frankfurter Allgemeine Zeitung. August 15, 1997, p. 33.

Biétry-Rivierre, Éric. “Dans les Coulisses de la Ville.” Le Figaro. August 9, 1997.

Edelmann, Fréderic. “La solitude de Gaspard dans la nuit.” Le Monde. August 8, 1997.

Vincendon, Sibylle. “Géants Urbains Capturés.” Libération. August 5, 1997, pp. 22–23.

Boutoulle, Myriam. “Lieux de l’ombre.” Beaux Arts. August 1997.

Sachs, Brita. “Wer sich eine Grube sprengt.” Frankfurter Allgemeine Zeitung. April 26, 1996, p. 44.

Briegleb, Till. “Detonation Deutschland.” Die Zeit Magazin. April 19, 1996, pp. 10–18.

“Nieder mit der Architektur.” Der Spiegel. April 14, 1996, p. 251.

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